Abstract
As novelist Sally Rooney observes, sending a message to someone who is absent from us is a familiar part of our everyday lives in the twenty-first century, hence, we have all become writers in one form or another. Text has become intricately woven into our lives and plays an intimate part in the way we build relationships, therefore writing has inevitably found its way into screen narratives in the form of text messages and emails, sent and received. This collection is conceived as a response to the ‘omnipresence of text’ on screen and it explores how the visual/textual texture of screen media is changing. First, it argues that contemporary online forms of communication such as the email, blog, text message, tweet, are actually haunted by older epistolary forms such as the letter and the diary. Second, it examines what is at stake for our understanding of the self when it communicates through epistolary forms.
By accounting for the ‘omnipresence of text’ across a variety of media, this collection intervenes in debates about how the textual adds to and/ or disrupts the audio-visual. On-screen epistolary forms adopt a number of different shapes. In mainstream cinema and television series epistolary forms have become narrational and plot devices. They operate as correspondence between characters who write messages, communicate, and form relationships. In less mainstream films and media epistolary forms often contend with an injunction.