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Meeting God in the Sound: The Seductive Dimension of U2’s Future Hymns
Book chapter

Meeting God in the Sound: The Seductive Dimension of U2’s Future Hymns

The Counter-Narratives of Radical Theology and Popular Music, pp.119-135
Radical Theologies, Palgrave Macmillan US

Abstract

Christian Faith Mystical Experience Popular Music Religious Experience Spiritual Experience
With the release of their 2009 album, No Line on the Horizon,1 the world’s most successful rock band produced what they conceived to be a collection of “future hymns or future spirituals.”2 The following U2 360° tour—which, to date, is the highest grossing tour in the history of popular music3—further promoted U2’s theme of future spirituality. The centerpiece of these concerts was a 50-meter-high, stadium-dwarfing stage, which U2 had designed to look like a spaceship crossed with a cathedral.4

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