Abstract
In this research, I examine the collaborative dynamics between three Western Classical composers and myself – a Western Classical soprano in Aotearoa, New Zealand. Over a period of roughly five years I worked on the creation of three new pieces for the lyric soprano voice, each in collaboration with a different NZ composer. Drawing inspiration from Dr. Ashley Brown's research on co-composition, I intentionally sought an equal creative partnership during the composition process. I hoped to make discoveries about the nature in, and extent to which a Western Classical singer can influence the writing process.
Through self-reflective journals, post-project interviews and survey results from professional NZ composers and Western classically-trained NZ singers, I delve into the underlying attitudes and challenges surrounding co-composition in the classical vocal music domain, revealing thought-provoking insights and uncomfortable truths.
Additionally, I shed light on the impact of contractual agreements and audience perceptions post-performance.
My involvement in the creation of the new works is most prominent in the vocal lines, which I initially composed for all three pieces. I also composed parts of some of the accompaniments. While all three of the composers made some adjustments to the vocal lines, my influence is clearly present throughout the compositions.