This project explores how physical recording studios foster creativity in music production and sound engineering. It focuses on innovation through hands-on use of analogue gear and experimental microphone techniques, rather than relying solely on digital plugins. The studio is framed as a creative environment, not just a recording space. Drawing on collaborations with musicians, industry interviews, and analysis of studio practices, this project highlights how experimentation can lead to more compelling artistic outcomes.
How does "creative abuse" drive developments in Music Production?
Master of Music - MMus, University of Otago
University of Otago
17/08/2026
:
https://doi.org/10.82348/our-archive.00316
:
https://hdl.handle.net/10523/52127
18
15
- 9926899944201891
- How does "creative abuse" drive developments in Music Production?
- Madeleine Mary Harrop
- Hugh Harlow (Supervisor) - University of Otago, Music
- Music
- University of Otago
- Master of Music - MMus
- Thesis - Masters
- University of Otago
- All items in OUR Archive are provided for research purposes and private study and are protected by copyright with all rights reserved unless otherwise indicated.
- 17/08/2026
- English
- Graduate Thesis/Dissertation