Abstract
This article explores the usefulness of ‘intermediality’ approaches for understanding contemporary reality television. Through a case study of Intervention, it is proposed that intermedial frameworks illuminate reality television’s function as a “dream of presence”. The article focuses particularly on intermedial manifestations of the television program on the microblogging platform, tumblr. Building on studies of intermediality within cinema and visual cultural studies, this article highlights the liminal, affective and processual elements that arise from the intermedial movement of content. It does this through an application of ideas from non-representational theory as a means for expanding intermediality beyond the cinematic. This article suggests that liminality, affect and process are, in turn, presented in Intervention, and emphasised in the intermedial presentation of Intervention ‘screencaps’ on fan-made tumblr microblogs.