Abstract
In her 1984 book ‘Māori Sovereignty’, Donna Awatere sustains a blistering polemic on ‘white culture’ that still retains its rhetorical force 40 years later. Her construction of a sharply delineated binary between a monolithic notion of ‘white culture’ as against ‘taha Māori’ can come at the cost of simplification. But this is not at all to say that Awatere is wrong when she says it is ‘Māori Sovereignty or death’. In this paper, we extend Awatere’s work by analysing relationships between colonialism and capital. We begin by situating Awatere’s work in its historical context, outlining major shifts in the global political economy, and drawing on Awatere’s analysis of Fascism to account for contemporary Far Right movements. Building from the inextricability of Fascism from the settler colonial/imperialist economy, we explore Awatere’s framing of whiteness as a system of racial exploitation and violence that enforces the state’s genocidal claims to sovereignty, defined through necropower – capitalism’s consumption of racialised death. We then consider the contradictions between capitalism and constitutional transformation. By scanning revolutionary movements elsewhere (in particular the Chilean movement for plurinationalism), we identify the need for extra-parliamentary, broad-based, popular power and constituent authority from below, as well as Indigenous solidarities and international alliances to circumvent anti-Māori populism and confront capital. In reflecting on the power of death, and the need for counter-hegemonic culture capable of securing the transition out of capitalism, we are drawn to the revolutionary essence of whakapapa as an Indigenous ontology that eternally resists necropower.