Voicing the Real in Extreme Metal

Rosemary Overell

doi:10.26021/12231

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Journal article

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Peer reviewed

Voicing the Real in Extreme Metal

Rosemary Overell

Continental thought & theory, Vol.3(3), pp.136-163

12/2021

DOI: https://doi.org/10.26021/12231

Handle:

https://hdl.handle.net/10523/46729

Abstract

Psychoanalysis

extreme metal music

critical theory

lacan

continental philosophy

Cultural studies

Music

Gender studies

Communication and media studies

Metal – perhaps more than most genres of music – is often asked to account for its 'real life' effects. Metal musicians, metal journalists and, indeed, even metal scholars are regularly called on to explain what metal means in 'real life' – in terms of misogyny, racism, or… worse.

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Record Identifier: 9926748585501891
Title: Voicing the Real in Extreme Metal
Creators: Rosemary Overell
Publication Details: Continental thought & theory, Vol.3(3), pp.136-163
Academic Unit: Media, Film and Communication
Publisher: University of Canterbury
Date published ; e-published: 12/2021
Copyright: Copyright © The Author(s) 2021. This work was first published in Continental thought & theory (University of Canterbury). This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (http://www.creativecommons.org/licenses/by/4.0/), which permits unrestricted use, sharing, adaptation, distribution and reproduction in any medium or format, provided that the original work is properly attributed to the creator(s) and the source, a link to the Creative Commons license is provided, and any changes made are indicated.
Language: English
Resource Type ; Subtype: Journal article