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dc.contributor.authorBergin, Anne-Marie
dc.date.available2021-06-01T04:41:59Z
dc.date.copyright1967
dc.identifier.citationBergin, A.-M. (1967). The Salmi Concertati (1626) of Giovanni Rovetta : a complete transcription with a general commentary (Thesis, Master of Arts). University of Otago. Retrieved from http://hdl.handle.net/10523/11993en
dc.identifier.urihttp://hdl.handle.net/10523/11993
dc.description.abstractGiovanni Rovetta’s Salmi Concertati (1626) is a collection of twenty compositions: four instrumental canzoni, four motets and twelve psalms with independent and accompanying violin parts. This set and other sacred works by Rovetta seem to have been neglected in favour of the brilliant ‘stile concerto’ settings of Claudio Monteverdi (1567-1643). Rovetta, a figure neither as forceful nor as celebrated as Monteverdi, has been overlooked or airily dismissed by musicologists. Yet during the period in which he lived Rovetta’s church music would have been well-known by the public because of its extraordinarily wide distribution. [Extract from Introduction]en_NZ
dc.format.mimetypeapplication/pdf
dc.language.isoenen_NZ
dc.publisherUniversity of Otago
dc.titleThe Salmi Concertati (1626) of Giovanni Rovetta : a complete transcription with a general commentaryen_NZ
dc.typeThesisen_NZ
dc.date.updated2021-05-31T23:19:37Z
thesis.degree.disciplineMusicen_NZ
thesis.degree.nameMaster of Artsen_NZ
thesis.degree.grantorUniversity of Otagoen_NZ
thesis.degree.levelMastersen_NZ
otago.openaccessOpenen_NZ
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