Documenting the Evidence in Documentary Film
|dc.contributor.author||Dawes, George Patrick|
|dc.identifier.citation||Dawes, G. P. (2011). Documenting the Evidence in Documentary Film (Thesis, Master of Science Communication). University of Otago. Retrieved from http://hdl.handle.net/10523/1849||en|
|dc.description||PREFACE: This Master of Science Communication is bicameral in nature, containing an academic component and a creative component. Although the creative component is listed as an appendix and sits at the rear of the thesis, it is suggested that the reader watch “Three Little Pigs: A Curly Tale” before reading the academic component of this thesis.|
|dc.description.abstract||Unlike fiction film, documentary occupies a special place in our social world due to its perceived truth function. Documentary films make arguments about the social and historical world through their use of evidence. This thesis examines the way that evidence is manipulated within documentary film to certain social, political and ideological ends. An analysis of Titicut Follies, The Thin Blue Line and Standard Operating Procedure provide the theoretical framework for the academic component of the thesis. A twenty-five minute documentary Three little Pigs: A Curly Tale was produced as the creative component. Both the academic and creative components show that the representation of evidence in documentary film provides a number of challenges for both filmmakers and audiences.|
|dc.publisher||University of Otago|
|dc.rights||All items in OUR Archive are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.|
|dc.title||Documenting the Evidence in Documentary Film|
|thesis.degree.discipline||Centre for Science Communication|
|thesis.degree.discipline||Centre for Science Communication||en_NZ|
|thesis.degree.name||Master of Science Communication|
|thesis.degree.grantor||University of Otago|
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