The DFenders: An Analysis of the Studio Production Process

Moskal, Adon

OUR Archive Home
→
Research Types
→
Thesis
→
Thesis - Masters
→
View Item

The DFenders: An Analysis of the Studio Production Process

Moskal, Adon

Cite this item: Moskal, A. (2012). The DFenders: An Analysis of the Studio Production Process (Thesis, Master of Music). University of Otago. Retrieved from http://hdl.handle.net/10523/2656

Permanent link to OUR Archive version: http://hdl.handle.net/10523/2656

Date: 2012

Advisor: Downes, Graeme; Egenes, John

Degree Name: Master of Music

Degree Discipline: Music Department

Publisher: University of Otago

Keywords: music; recording; studio

Research Type: Thesis

Languages: English

Abstract:

A brief discussion of recording concepts as proposed by composer/producer Brian Eno prefaces an in-depth examination of the recording techniques used to produce The DFenders, an album of original ‘Eighties-esque’ pop songs. Drawing on a number of notable pop/rock musicians from the Eighties, particularly New Wave artists, The DFenders utilises vintage equipment and recording techniques to produce a ‘retro’ pop album in the modern day recording studio.

Show full item record