'Neither here nor there, and therefore home': A Poetics of Migration in Contemporary Irish Poetry
|dc.identifier.citation||McDaid, A. (2015). ‘Neither here nor there, and therefore home’: A Poetics of Migration in Contemporary Irish Poetry (Thesis, Doctor of Philosophy). University of Otago. Retrieved from http://hdl.handle.net/10523/5774||en|
|dc.description.abstract||This thesis proposes a reading of the migration impulse in contemporary Irish poetry, arguing for a distinctive nexus of memory and an ethic of reinvention. It sets out how contemporary poets reinvent inherited tropes of emigration and argues for an interpretation of migration as a spectrum rather than a trajectory. Against the backdrop of changing socio-cultural and literary conditions, the thesis presents a series of close readings of migrant poetry to explore how memory and its reinventions are deployed. Chronologically, the thesis begins at the point of ‘New Irish’ migration of the 1980s and concludes in the post-Celtic Tiger period. It argues for a reinterpretation of migration that recognises its plurality by engaging a cross-section of migrant poets with eclectic experiences of migration ranging from permanent, long-term and traumatic to transitory, peripatetic and liberating. Through the dual and related modes of memory and ethics, particularly an ethic of reinvention, this thesis provides a way of reading contemporary Irish poetry that moves beyond established spatial, imaginative and thematic paradigms. Chapter One considers Greg Delanty’s American Wake (1995) and Eamonn Wall’s Iron Mountain Road (1997) as key migration volumes in their permanent relocation to the United States. Chapter Two posits the alternative cartographies pursued by Vona Groarke and Sara Berkeley in relaying their migratory experiences. Chapter Three investigates how home is configured from abroad in the poetry of Bernard O’Donoghue, Martina Evans and Colette Bryce. Chapter Four explores how willed migration and physical repatriation are represented in Sinéad Morrissey’s and Harry Clifton’s poetry. Chapter Five concludes with an examination of how migration is impacted by contemporary technology in the poetry of Justin Quinn and Conor O’Callaghan.|
|dc.publisher||University of Otago|
|dc.rights||All items in OUR Archive are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.|
|dc.subject||contemporary Irish literature|
|dc.subject||ethic of reinvention|
|dc.subject||poetics of migration|
|dc.title||'Neither here nor there, and therefore home': A Poetics of Migration in Contemporary Irish Poetry|
|thesis.degree.discipline||English and Linguistics|
|thesis.degree.name||Doctor of Philosophy|
|thesis.degree.grantor||University of Otago|
Files in this item
There are no files associated with this item.
This item is not available in full-text via OUR Archive.
If you would like to read this item, please apply for an inter-library loan from the University of Otago via your local library.
If you are the author of this item, please contact us if you wish to discuss making the full text publicly available.