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dc.contributor.authorNovero, Cecilia
dc.date.available2017-05-11T21:40:31Z
dc.date.copyright2015-10
dc.identifier.citationNovero, C. (2015). Following in the Tracks of a Dog: ‘The Beggarwoman of Locarno’ Revisited. German Studies Review, Vol 38(3), 491–508. doi:doi:10.1353/gsr.2015.0123en
dc.identifier.urihttp://hdl.handle.net/10523/7314
dc.description.abstractThis essay identifies key themes in Kleist’s “The Beggarwoman of Locarno,” such as the contrast between meaning and noise, perception and reason, and human and animal. All of these themes are traced back to the dog in the tale, which is shown to play a pivotal role in exposing and expressing the limits of language, anthropomorphism, and reason. In this way, the essay hopes to show the specific ways in which Kleist’s story undermines the human speciesist claims to identity and individuality. To this aim, particular attention is devoted to the roles that sound and temporality play in the text.en_NZ
dc.language.isoenen_NZ
dc.publisherJohns Hopkins Universityen_NZ
dc.relation.ispartofGerman Studies Reviewen_NZ
dc.relation.urihttps://www.thegsa.org/publications/gsr.htmlen_NZ
dc.subjectKleist, Beggarwoman of Locarno, Dog, Animals, German Literature, Anthropomorphism, Temporality, Sound, Spaceen_NZ
dc.titleFollowing in the Tracks of a Dog: “The Beggarwoman of Locarno” Revisiteden_NZ
dc.typeJournal Articleen_NZ
dc.date.updated2017-05-11T02:36:21Z
otago.schoolLanguages and Culturesen_NZ
otago.relation.issue3en_NZ
otago.relation.volumeVol 38en_NZ
dc.identifier.doidoi:10.1353/gsr.2015.0123en_NZ
otago.bitstream.endpage508en_NZ
otago.bitstream.startpage491en_NZ
otago.openaccessAbstract Onlyen_NZ
dc.rights.statementNot uploading the essay just the link to the journal, and abstracten_NZ
dc.description.refereedPeer Revieweden_NZ
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