Daniel Spoerri's Carnival of Animals
|dc.contributor.editor||Landes, Joan B.|
|dc.contributor.editor||Young Lee, Paula|
|dc.identifier.citation||Novero, C. (2012). Daniel Spoerri’s Carnival of Animals. In J. B. Landes, P. Young Lee, & P. Youngquist (Eds.), Gorgeous Beasts: Animal Bodies in Historical Perspective (Vol. 9, pp. 151–166). Pennsylvania State University.||en|
|dc.description||This innovative, accessible, and thorough collection addresses an admirable range of historical and geographical contexts to demonstrate that the human relationship with other species is complex and overdetermined, and that human systems of knowledge and representation are crucial for negotiating this uneven terrain. An essential teaching text, Gorgeous Beasts will find a welcome home in the HAS classrooms of many disciplines.” —Sherryl Vint, author of Bodies of Tomorrow: Technology, Subjectivity, Science Fiction “With a multidisciplinary approach combining historical studies and the study of visual representations, with a period focus centered on the late eighteenth and nineteenth centuries but also reaching back to the Renaissance and forward to contemporary works, and with contributions from some of the most prominent and thought-provoking scholars in the field of animal studies, Gorgeous Beasts energetically advances the current conversation about the human uses of nonhuman animals. Several essays investigate and seek to remedy the lack of representation involved in past and present silences concerning the slaughter of animals, while others investigate the problematic representations of animals as creatures of the wild, objects of scientific study, trophies, or biomass to be harvested. The attention paid to the contemporary artists Daniel Spoerri and Mark Dion makes explicit the links between the historical analyses and our current situation. Raising provocative and important questions, this volume sets the terms for future studies of the representation of other animals by humans.” —Frank Palmeri, University of Miami “This book introduces us to gorgeous beasts—creatures we yearn for, treasure, misunderstand, and mistreat. Enclosure-endangered Atlantic codfish, bloodhounds unleashed on the Maroon uprisings in Jamaica, taxidermied elephants that conferred secondhand majesty on trophy hunters, slither-painting snakes, even dog-skin gloves and civet-scented perfumes (those animal-made objects): all testify to our human co-construction of, with, and by animals. In the book’s lush illustrations, the visual representation of animals has equal footing with their material and economic histories, and the result is a thought-provoking and sense-igniting treat.” —Susan Merrill Squier, author of Poultry Science, Chicken Culture: A Partial Alphabet and Liminal Lives: Imagining the Human at the Frontiers of Biomedicine “Gorgeous Beasts is a gorgeous book. As the essays revel in the physicality of animal bodies in order to reveal why and how animals matter in history and art, so the volume celebrates the physical book. Extensively illustrated, expertly designed, and printed on sumptuous paper, it embodies the best of the exhibition catalogue and the scholarly text. Like a finely curated art exhibit, it speaks to the myriad and contradictory ways that animals matter through individual works that are a pleasure to behold, read, and contemplate.” —Amy Nelson, American Historical Review “Edited by Joan B. Landes, Paula Young Lee, and Paul Youngquist, Gorgeous Beasts brings together nine essays by some of the most sophisticated voices within animal studies to explore the histories and desires shaping human encounters with other animals, both alive and dead. . . . Gorgeous Beasts asks all the right questions. Its animal bodies are provocative, unpredictable, and potent. Meticulously researched and eloquently argued with clear, accessible language, the essays incite a knowing that grows beyond the page and into our daily lives with other animals.” —Rachel Poliquin, Humanimalia “The essays in this book explore the important, sometimes ambiguous roles that animals play in human culture.” —E. K. Mix, Choice||en_NZ|
|dc.description.abstract||This essay on Spoerri's series of assemblages titled Carnival of Animals focuses on the artist's use of the carnivalesque in the installation. It argues that this is an effective mechanism to disrupt speciesist forms of anthropomorphism.||en_NZ|
|dc.publisher||Pennsylvania State University||en_NZ|
|dc.relation.ispartof||Gorgeous Beasts: Animal Bodies in Historical Perspective||en_NZ|
|dc.subject||Animals, Daniel Spoerri, Avant-Garde, Art, Carnival, Performance, Le Brun, anthropological machine, Agamben||en_NZ|
|dc.title||Daniel Spoerri's Carnival of Animals||en_NZ|
|dc.type||Chapter in Book|
|otago.school||Languages and Cultures||en_NZ|
|dc.rights.statement||Not needed, just the abstract||en_NZ|
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