Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice
Cite this item:
Cotton, D. W. (2017). Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice (Thesis, Master of Music). University of Otago. Retrieved from http://hdl.handle.net/10523/7480
Permanent link to OUR Archive version:
http://hdl.handle.net/10523/7480
Abstract:
This Thesis investigates a series of transformative studio production processes used in the creation of Acousmatic music from fixed media sourced on a research trip to the Huế peninsula in Vietnam.
It also looks at a history of the graphical arrange page in a Digital Audio Workstation and relates to the graphical metaphors in the depiction of the sound objects used in the graphical arrange page to Denis Smally’s Spectromorphological analytic framework.
Date:
2017
Advisor:
Downes, Graeme
Degree Name:
Master of Music
Degree Discipline:
Department of Music, Theatre and Performing Arts
Publisher:
University of Otago
Keywords:
“digital audio workstation” “graphical waveforms” “music production software” “spectromorphology” “graphical metaphors” “acousmatic music”
Research Type:
Thesis
Languages:
English
Collections
- Music [75]
- Thesis - Masters [3169]