Re–Establishing Britishness/Englishness: Representation Through Music in a non–Parliamentary Nation
|dc.contributor.author||Burns, Robert G H|
|dc.identifier.citation||Burns, R. G. H. (2015). Re–Establishing Britishness/Englishness: Representation Through Music in a non–Parliamentary Nation. MEDIANZ: Media Studies Journal of Aotearoa New Zealand, 15(1), 119–133. doi:http://dx.doi.org/10.11157/medianz-vol15iss1id115||en|
|dc.description.abstract||Folk singers were once principal media sources by which news of national events was disseminated in what became the United Kingdom in 1707. Folk song has since been imbued with significance as a record of political events and socio/cultural change. This folk tradition still exists in the present with folk performers either singing critical narratives of historical events or criticising current politics. This paper discusses the question of national identity in the United Kingdom, particularly from the perspective of English identity. Interviews carried out with leading folk–orientated performers indicate that the question of Englishness is of lesser importance to politicians than the UK being a component of Europe. Moreover, Englishness does not enjoy the political representation experienced by other UK nations, yet it is key to English cultural arts and traditions, particularly in a number of new folk styles that have lead to a third phase of revivalism.||en_NZ|
|dc.publisher||University of Otago||en_NZ|
|dc.relation.ispartof||MEDIANZ: Media Studies Journal of Aotearoa New Zealand||en_NZ|
|dc.rights||Attribution-ShareAlike 4.0 International||*|
|dc.title||Re–Establishing Britishness/Englishness: Representation Through Music in a non–Parliamentary Nation||en_NZ|
|otago.school||Music, Theatre and Performing Arts Studies||en_NZ|
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