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dc.contributor.authorOverell, Rosemary
dc.date.available2018-10-02T01:19:51Z
dc.date.copyright2012
dc.identifier.citationOverell, R. (2012). [I] hate girls and emo[tion]s’: Negotiating masculinity in grindcore music. Popular Music History, 6(2), 198–223. doi:10.1558/pomh.v6i1/2.198en
dc.identifier.urihttp://hdl.handle.net/10523/8380
dc.description.abstractThe article confronts the construction of gender within metal, particularly the violent misogyny that can be found in some types of death metal and grindcore. Drawing on a case study of grindcore music in Melbourne, Australia, the author explores the nature of ‘brutality’ that is identified by scene members as the essence of its affect. Grindcore offers an affective ‘intensity’ that partially transcends representations of gender, opening up possibilities for female scene members. While misogynistic rhetoric and representation may suffuse metal scenes, it is undermined and ironized in various ways.en_NZ
dc.format.mimetypeapplication/pdf
dc.language.isoenen_NZ
dc.publisherEquinoxen_NZ
dc.relation.ispartofPopular Music Historyen_NZ
dc.relation.urihttps://journals.equinoxpub.com/index.php/PMH/article/view/14452en_NZ
dc.subjectcultural studies, ethnography, music, metal studies, gender studies, feminismen_NZ
dc.title[I] hate girls and emo[tion]s': Negotiating masculinity in grindcore musicen_NZ
dc.typeJournal Articleen_NZ
dc.date.updated2018-10-02T00:16:17Z
otago.schoolMedia, Film and Communicationen_NZ
otago.relation.issue2en_NZ
otago.relation.volume6en_NZ
dc.identifier.doi10.1558/pomh.v6i1/2.198en_NZ
otago.bitstream.endpage223en_NZ
otago.bitstream.startpage198en_NZ
otago.openaccessOpenen_NZ
dc.description.refereedPeer Revieweden_NZ
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