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dc.contributor.authorOverell, Rosemary
dc.date.available2018-10-02T01:20:23Z
dc.date.copyright2010
dc.identifier.citationOverell, R. (2010). Brutal belonging in Melbourne's grindcore scene. Studies in Symbolic Interaction, 35, 79-99. doi: 10.1108/S0163-2396(2010)0000035009en_NZ
dc.identifier.isbn978-0-85724-361-4
dc.identifier.urihttp://hdl.handle.net/10523/8381
dc.description.abstractI suggest sociality depends on affective encounters between individuals in particular spaces. Through an ethnography of Melbourne's grindcore death-metal scene, I examine how belonging in a music scene is constituted by scene members’ affective encounters. In particular, I suggest that a “brutal” disposition is necessary for cultivating the affective intensities necessary for experiencing belonging in the scene. Using scene members’ own understandings of “brutal” I shift from iconic representations of “brutality,” common in other metal scenes, toward a brutal affect. Here, brutality is experienced as a set of embodied intensities, difficult to articulate, but crucial to understanding how scene members cultivate belonging – in the grindcore scene, and in scenic spaces.en_NZ
dc.format.mimetypeapplication/pdf
dc.language.isoenen_NZ
dc.publisherEmeralden_NZ
dc.relation.ispartofStudies In Symbolic Interactionen_NZ
dc.relation.urihttps://www.emeraldinsight.com/doi/full/10.1108/S0163-2396%282010%290000035009en_NZ
dc.subjectculen_NZ
dc.subjectcultural studies, ethnography, music, metal studies, gender studies, feminismen_NZ
dc.titleBrutal belonging in Melbourne's grindcore sceneen_NZ
dc.typeJournal Articleen_NZ
dc.date.updated2018-10-02T00:19:38Z
otago.schoolMedia, Film and Communicationen_NZ
otago.relation.volume35en_NZ
dc.identifier.doi10.1108/S0163-2396(2010)0000035009en_NZ
otago.bitstream.endpage99en_NZ
otago.bitstream.startpage79en_NZ
otago.openaccessOpenen_NZ
dc.description.refereedPeer Revieweden_NZ
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